With Nate
With Nate

Design studio · New Holland, Lincolnshire

Everything a business needs designing, from one desk in Lincolnshire.

Identity and logos, packaging, brochures, catalogues, signage, exhibition stands, websites, photography and motion — the whole spread, made here by one person who looks at every single thing before it goes anywhere.

Or just email me and describe it.

Free, and free of charge

Five free tools that’ll help me to help you.

Nothing uploads, nothing is stored, and there is no account. Built because I needed them myself — so they solve the real problem rather than a demo of it.

How big can you print it?

Open on its own page

…or drop one here, or paste from the clipboard.

Type the dimensions instead

If you already know the pixel size — from your camera, or a file listing.

Will this photo make a good portrait?

Open on its own page

…or drop one here, or paste from the clipboard.

Watermark your work before you post it

Open on its own page

…or drop it here, or paste from the clipboard.

Worth being straight about what this buys you: a watermark deters casual right-click-and-repost, and it does not stop anyone determined — modern software removes them. Turned down far enough it also stops surviving a screenshot or a re-encode, which makes it decoration rather than protection.

What does your photo give away?

Open on its own page

…or drop one here, or paste from the clipboard.

Turn a picture into a real cut file

Open on its own page

…or drop one here, or paste from the clipboard.

What the studio does

Fifteen things, honestly grouped into four.

Because half of them are the same skill pointed at a different piece of paper. If what you want is not on the list, ask anyway — it usually is.

01

Identity

The mark, the letters, the colours, and the rules that stop them drifting six months later. A logo that only works on a white background is not finished.

A brand board for Sawyers Axes, a concept blacksmith: the carved oak and iron logo, a five-colour palette, Vollkorn and Bebas Neue type, and the identity applied to a certificate of authenticity, a business card and a swing tag.
01

Branding & visual identity

A whole look, not just a mark — palette, type, tone and the rules that keep it together across everything you put out.

Four logo routes for Bark and Co, a concept pet groomer: a badge, a script wordmark with a bone, a dog-tag monogram and a stacked wordmark, with colourways and a small-size test.
01

Logo design

Readable lettering that actually spells the word, in a file that scales to a business card or the side of a van.

A lettering study of the hand-brushed With Nate wordmark with ascender, cap height, x-height and baseline guides and slant lines, beside a Cabinet Grotesk specimen showing weights, the alphabet and figures.
01

Typography & lettering

Custom lettering and typeface work for when an off-the-shelf font is nearly right and nearly is not good enough.

02

Print & publishing

Things that get printed and have to survive it. Set up properly for the printer, with bleed and a dieline, rather than a JPEG and an apology.

A three-panel DL leaflet for NAS Digital, opened flat: coverage list, a priced services table and the front cover, set in white and amber on near-black.
02

Brochures & leaflets

Booklets, flyers, leaflets — call them what you like, just do not call them pamphlets. Laid out to be read, not just to be full.

A spread from the With Nate art print catalogue, showing a grid of print thumbnails with titles and sizes on warm paper.
02

Printed catalogues

Long documents that stay navigable at page ninety. The hard part is structure, and the structure is most of the job.

An editorial spread from the With Nate journal, with a drop cap, a pull quote and a running head across two pages.
02

Magazine & editorial

Editorial layout with a grid that holds up across a whole issue, and typography that keeps somebody reading.

A one-piece kraft board blank for a fold-and-lock desk organiser, laid flat on a walnut bench with cut and score lines and an engraved With Nate wordmark, beside a drawing of the same box folded up with its divider and diamond cut-outs.
02

Packaging

Boxes, pouches, labels and cans, set up with a real dieline so the printer does not have to ring you about it.

03

Large format & signage

Read at forty feet or read at four. Those are two completely different design problems and they get treated as such.

A wide directional sign on an oak-panelled corridor wall: a yellow Level 2 block beside arrows and pictograms for lifts and stairs, toilets, a cafe and the way out.
03

Wayfinding & sign design

Getting people where they need to be, using clear typographic structure rather than more arrows.

Two roller banners side by side, one for With Nate on warm paper and one for NAS Digital on near-black.
03

Exhibition & roller banners

Roller banners, booths and full stands, designed to make an impression in a visually noisy room.

A large-format poster for NAS Digital with a short headline and the phone number set very large, readable at a distance.
03

Posters & outdoor banners

Large-format work that carries a message across a car park, and still holds together up close.

04

Screen, picture & motion

The work that has to convince somebody in about two seconds, and the pictures and film that do the convincing.

The two sites, side by side - withnate.co.uk in warm paper and nasdigital.co.uk in near-black.
04

Website & digital design

Interactive, responsive sites and email templates. This one you are looking at is the sample.

A clear glass bottle with a blank white label standing on a short log, with scattered leaves on a terracotta backdrop.
04

Product imagery for marketplaces

Amazon, Etsy and the rest want more than photographs — infographics, lifestyle shots and brand reinforcement, all of it.

A bar chart titled How big can your photo be printed, comparing the longest sharp print edge for 8, 12, 24 and 48 megapixel images at 300 and 150 ppi against A6 to A0 paper sizes.
04

Information design

Infographics and diagrams. A creative way to make complicated data land, rather than a chart nobody reads.

A golden retriever puppy sitting in soft window light, rendered photorealistically.
04

Photography

Product and portrait work, shot and retouched. A phone photo is fine right up until it is the thing selling the product.

04

Video & motion graphics

Short film and motion for listings and social, with the music and voiceover made here rather than licensed from a stock library.

Everything I can make

The studio is a real workshop of tools.

Every one of them is something you can order, and these are actual outputs — not stock examples.

What they are not is client work. This side of the business is new, and I would rather show you what the tools actually do than borrow somebody else's logo and let you assume I drew it.

Yes, AI is part of how these are made — but not the way you are probably picturing. These are my own tools, built and tuned here over months and running on my own hardware, not a chatbot with a clever prompt. That is why the list runs to vector conversion, print-size upscaling, real alpha cutouts, animation, music and 3D, and why I can take an odd request and actually make it.

A golden retriever puppy sitting in soft window light, rendered photorealistically.
Photoreal

Photographic portraits

Yourself, friends, family or pets, lit and shot like a studio photograph — without the studio.

A pet portrait painted in Victorian oils, the sitter in the formal dress of an upper-class Victorian, framed and standing on a shelf.
Painting

Victorian oil portraits

Ornate, museum-looking, gold braid and all. The line that sells the most.

A storybook illustration of a fox reading a book beneath an autumn tree.
Illustration

Storybook illustration

Hand-drawn character work for books, cards and packaging.

Four logo routes for Bark and Co, a concept pet groomer: a badge, a script wordmark with a bone, a dog-tag monogram and a stacked wordmark, with colourways and a small-size test.
Branding

Logos & wordmarks

Readable lettering that actually spells the word — harder than it sounds, and most tools cannot.

A grey tabby kitten cut out from its background with a clean transparent edge.
Cutout

Transparent cutouts

Pixel-accurate cutouts with real alpha, ready to drop onto mugs, tees or anything else.

Video

Motion pieces

Short cinematic clips for listings and social, made from a still or from nothing at all.

Animation

Stills brought to life

A painting that breathes — subtle parallax and light, from a single image.

3D

3D models

A photo turned into a real textured 3D model, for printing, games or AR. Sent on request — the files are far too big to sit on a web page.

Audio

Original music

Bespoke instrumental beds for your own videos and shop listings. Yours, not a stock library's.

Voice

Narration

Clean spoken narration for product videos and reels.

The bits nobody asks for until they need them

Nobody wakes up wanting vector conversion. You want a logo that still looks like a logo on the side of a van, a poster that is sharp at A0 instead of soft, and a square painting that somehow has to be a wide banner by Thursday. These are the three tools that make those possible.

A raster logo redrawn as clean vector curves, scalable to any size without softening.
Vector

SVG conversion

Any artwork turned into a true vector: scales to a business card or a van, no pixels.

A beagle puppy photograph enlarged to print size with the fur detail still sharp.
Upscale

Print-size upscaling

Four-times upscaling, so a small original prints sharp at poster size instead of soft.

A wide gallery wall of framed pictures, reframed from a square original to a banner shape.
Extend

Reframed for any size

One artwork extended to fit any ratio, so a square piece becomes a wide banner without cropping the middle out of it. That is a real 3360x840 shop banner, made this way.

How a job runs

You see it before you pay for it being finished.

Whichever half of the business you came for.

Design A commissioned job

  1. Tell me what it is for. Not what you want it to look like — what it has to do, who reads it, and where it ends up. That is the brief, and it is most of the work.
  2. A fixed number, before anything starts. Not an hourly rate that quietly drifts. If a job turns out bigger than it looked you hear about it before I do it, not after.
  3. Drafts, and honest ones. Two or three real directions, not one good option flanked by two deliberately bad ones.
  4. Files that actually work. Vector where it should be vector, CMYK where the printer wants it, every size you will need. You own them, and there is nothing to renew.

Shop A portrait

  1. Send me a photo. Any decent photo of yourself, friends, family or pets — good light helps, a phone is completely fine. It is worked on here, on my own machine, and never uploaded to somebody else's AI service. What happens to your photo.
  2. Pick a style. Victorian oil, astronaut, badly drawn, or describe something of your own.
  3. See it first. I send a proof. Changes are free until you actually like it — that is the whole job.
  4. Printed and posted. Files by email, or a real print made and sent to your door.

Tell me what you need making

Hello! How may I be of assistance?

There are no prices on this page, because a logo and a forty-page catalogue are not remotely the same job and pretending they are helps nobody. Say what it is and you get a real number before anything starts.

Goes straight to my inbox. Nothing is stored on this website and there is no mailing list to end up on. What happens to it.

Elsewhere

Illustrated portrait of Nathan Graves

The other half of it

With Nate is the design side. NAS Digital is the technical one — websites built and hosted, software, and the computer on your kitchen table that has stopped working. Same person, same desk, different kind of work.

Have a look at NAS Digital →
NAS Digital
X———— Y———— SCR——— VIEWS—————— SIG——— ——:——